The Departed trailer
And I was sooo right. Disney passed on the script for this movie, which I can sympathsize--with execs no less! Actually, I don't understand why the man talented as Night Shyamalan decide to make this weak story, thinly veiled as a fairy tale. A Korean (!!) fairy tale. (You will understand if you've seen this movie.) No, I'm not aware of any Korean fairy tale resembling this story. It sounds more like a version of Little Mermaid.
There are so many things that went wrong with the movie, but the biggest problem is the premise: why did narf-haunting Bryce Dallas Howard, decide to show up and caused this whole mess in the first place? What did the main characters learn from this other-worldly encounter? Nada, zero, nothing.
Secondly, for a Korean-American that I am, why did they cast Chinese for Korean characters in this movie and why can't they speak lick of either English or Korean? What's with the Buddha statue and burning incenses? Talk about cliches! And yet Indians, including the director himself, live modern American setting without any incenses or funky Indian music in the background.
There's no doubt that Night Shyamalan made some good movies that portrayed ordinary people in extraordinary circumstances. However, I'm afraid that he's losing his touch as a writer, if not a director. He got a book basically explaining his 'calling' to make this movie. Bad move. If your movie can't stand on its own, no amount of explanations will save your movie. That's how I feel it, anyway.
The Village was disappointing. But this movie is huge let down that I don't know if I could give next Shyamalan movie a chance.
The book is well organized with sections full of examples and recommendations that a writer should take to heart, but I especially liked this passage:
"You don't want to give your readers information. You want to give them experiences... Resist the urge to explain. (R.U.E.)"
This book is not out to teach you fine points of editing grammatical errors but more of mechanics of storytelling within words and sentences. It offered salient points of storytelling better than some of screenplay books I've read and it also vastly improved my writing.
Since it's a lot easier to get published than get your script produced, this book could provide an opportunity to take that leap and turn your story-script into a novel for publication. (Novelization is also a part of whole movie-biz, is it not?)
Great, concise, reference book that deserves a place in any writer's bookshelf.
Still Life by UMAMY Design Group.
Yes, I need more fruits in my life. (Eat healthy!)
Good night, and have a good weekend! (Were you creative this week?)
Cringely delves into new YouTube licensing agreement and comes out with the seemingly obvious answer: what goes on the Net stays on the Net. "Under this new license, then, it would seem that they could produce a Best of YouTube DVD and sell it on late night TV. They could take your musical performance, strip the audio from the video, and sell it to almost anyone for almost any use. They could refuse to take down your video, no matter how embarrassing. They could charge YOU for your own video. And of course they could insert ads in the video virtually anywhere." I once entertained the thought of putting my reels and short films on YouTube to save bandwidth fee, but I won't bother no more. Creative asset is all I got at this point and I need to carefully orchestrate its release and distribution, even if I'm giving it up for free.
I ran some Google searches and found that I could do repair without buying expensive disk utility programs. (No job, no money. Story of my life.)
Put your Mac OS X CD in the drive and reboot, while pressing "c." The disc would start spinning as the computer boots from the CD. When you get the installer up, go to the menu and run Disc Utility. You now have the option to "Repair Disk" for your internal harddrive since it is no longer the system drive.
This ordeal took me 20 minutes. In contrast, my Windows XP Pro is protected by expensive Norton Utilities which I paid $60. So, Apple's claim that Mac offers best out-of-the-box experience is part true.
from Gilliam on Gilliam.
Still jobless... Sigh.
The movie plods in the beginning to setup old characters in new joint. The 2nd act is clunky as they waste time with their meaningless jobs. Similar setup in the first one, but the first one had faster pace, catered to more interesting characters, and spewed more memorable dialogues. "I'm not supposed to be here today!" As simple as that. I already felt that, only five minutes into the movie, Kevin Smith was trying too hard to come up with jokes that will be irrelevant in five minutes in Internet time.
But, somehow in the end, Kevin Smith delivered the touchdown that won this cynical fan's heart. He finally remembered what this movie was suppose to be, and movie magic happened. All the trash talks, jokes, and corny setups in this movie became irrelevant when the climax jail scene unfolded and reached for the new height. One of best scenes Kevin Smith produced in his films. That's why this film got a standing ovation at 2006 Cannes film festival.
It was, no doubt, a disappointing sequel but, it had a nice closure for the characters and that's meant the world to me.
Is it just me but her song isn't all that to me. (Maybe I'm getting old. Getting out of touch with the youth appeal.)
That quote will cost them their company and their jobs in few years. Trust me.
It's a good, light reading for any Burton fans and his films. It also reveals some juicy inside info of he was attached, like Kevin Spacy was cast as Lex Luxor for his version of Superman film.
It's great to read about his account on making the Nightmare Before Christmas-one of my all time favorite films, and I'm excited to inform all the fans that it's gonna be re-released on 3D this October. I'm already there with my paper 3D goggle.
Homer: "Lisa, in this house, we obey the laws of thermodynamics!"
I believe Bryan Singer had a right approach to the material; Superman is a near-deity who was sent to Earth to bring fire and fell in love with a mortal beauty. Kevin Spacey's Lex is supposedly the evil mortal who toys with fire for his own benefits. However, I felt he's antics lacked bad-assnessssss. (Maybe he should've killed few of his henchmen to prove he's a bad-asssssss.)
I was surprised that the movie lacked actions, and full of moments that seemed to bridge unexpecting chemistry between Superman and Lois Lane. I almost wished Superman wasn't so damn nice everytime, and get on with the program. (It is 21st century after all. Videogames and hiphop tainted me.) I applaude Bryan Singer for trying something different, away from X-Men franchise, but for a 12-years boy in me, I rather would've chosen X-Men 3 by Singer, than this Superman movie.
I was delighted to see Kal Penn as one of the henchmen, but he didn't have any single speaking line. I was hoping he would exchange some clever banters with Kevin Spacey, but instead we get an air-headed bimbo type, who wasn't really clicking with Kevin Spacey. (Why is billionair, criminal mastermind Lex keeping her around? For the look?)
Will there be another Superman movie? IMDB says so, but I doubt they will treat next one as tent-pole summer blockbuster. Who knows? With right kind of action, (team up with Batman perhaps?) he has another fighting chance, away from Kryptonite, please.
p.s. Yes, Superman is a dick.
There are favorite movies, and there are movies that pull you back, like an good, fun friend. Like Shaolin Soccer, or the Matrix.