Mining 'Brokeback Mountain'
That's how Miramax ruled the 90's, and Focus seems to inherit that similar Midas touch, without overt marketing/personality push.
That's how Miramax ruled the 90's, and Focus seems to inherit that similar Midas touch, without overt marketing/personality push.

"Scripted by Cory Goodman, the film is based on Tokyopop's graphic novel created by Min-Woo Hyung. The story is a vampire Western that concerns a warrior priest who disobeys church law by teaming with a young sheriff and a priestess to track down a band of renegade vampires who have kidnapped his niece.
Priest was the first project announced under Raimi and Donen's recently created Sony-based shingle, which is separate from Raimi's other production entity, Ghost House Pictures." - from Variety
Shit. I was eyeing to get to do this graphic novel ever since the 1st book came out in Korea! If you haven't seen this great "comic book" get your behind to the nearest Barnes & Noble. It looks like they changed the story around since it's premise is different from the comic book. I can't wait to see this on big screen, albeit it won't be mine. Sigh.
I wonder how many of my favorite graphic novels are left for me when I make it? I can't compete with Mr. Cameron for Battle Angel Alita, however, the loss of Priest is especially hard since I've been growing up & attached to the story and characters for last couple of years.
I got there and plugged my drives in but nothing happened. What? My producer is looking over my shoulder and I had sinking feeling running through my vein. Lacie drive was blinking but it wasn't recongnized by the computer. I plugged in and out to no avail. But suddenly, I smelt silicon burning. Handling computer nearly all my life, I knew what it meant. The drive was fried. Oh shit.
It turns out that those two drives use SAME plug, but Fanthom adapter uses a little higher amp, that totally fried Lacie drive. When I took it to Tekserve for repair, their technician declared it totally dead, RIP. My only option was to give up the drive for 7 days for the data recovery in the price range of $1300. Fortunately my FCP project file was backed up on my laptop, and I lost minimal amount of original footage that was quickly recaptured that day because I kept Lacie drive relatively empty to transfer files between my other drives and my producer's drives. Regardless, the damage was done. When I assessed the final damage, I found out that I lost two days of work, $200 drive which was promptly replaced with a 800 gig G-Raid drive.
Live and learn. I will implement vigorous weekly backup plan from now on, if not daily. Always have two projects going in separate drives. Redundancy pays, in profesional environment & save lives.
On the other hand, Tom Putnam, who last year put his film, "Broadcast 23," on Sundance Online, said he went against the advice of most people who suggested waiting until the film had gone through the festival run. Based in part on the enthusiasm of festival staff, he decided it was worth possibly excluding other festivals to be a part of Sundance. "It allows us to open up the film to a much wider audience than the folks who are lucky enough to be able to travel to Park City and buy a ticket to see it," Putnam said." I think in near future, online content providers, like Google/Amazon/Yahoo, will host online film/video competition to drive the traffic and raise brand-awareness. I know I would. Nothing will beat physical interaction, but I will settle for virtual interactions if I can't make it.
Content creators will be hard pressed to fight all these free content floating in the web and ask people to pay for their hardworked creation. (I don't think we will see as many of Hollywood moguls as today as time goes on.) I always say the money is in the infrastructure, and Google is poised to become 21st century medium delivery model/infrastructure. Their $400/share price doesn't seem so expensive now...
On related note, is Flash is gonna be the video format for the web? If so, Adobe sure got Macromedia for a bargain.
I think only experienced editors will find the book rewarding as they can relate to the editing techniques and problems shown in the book, even if they haven't necessarily seen the films in questions. It is difficult, in my experience, without knowing where the crucial moment is coming without the feeling the flow, but that could be just me.
In short, it was fine read, and I will be keeping the book and reference back later when I encounter an editing problem and needs fresh approach. I'm hoping the book will prove itself in that moment, than to me right now.
While reality TV may not be Shakespeare, it’s at its best when viewers are drawn in by the contestants’ personalities and become invested in what will happen to them.
If reality television is a kind of social psychology experiment conducted for our entertainment, then as the stakes grow and shows continue to push the envelope, greater risks will be taken and contestants will be put into more emotionally combustible or physically challenging situations. Zimbardo’s experiment taught us how something like Abu Ghraib could happen today." I must admit, if it's done correctly, reality TV shows are undenibable entertainment for the mass. The immersion factor is too high to make or measure up for many scripted shows-because we all became media savvy to know that it's a freakin' show. Like Nascar, maybe we are awaiting for social/mental wrecks on these shows so that we can take delight in the fact that we aren't them yet we were somehow involved and a witness to the process.
I need to start writing. You can tell from my blog entries that my writing has gone new low, with lack of creative word exercise.
First trailer looks good on QuickTime. If Aeon Flux trailer looked this good, it would've drawn me into a theater and it wouldn't have bombed horriblely like it did last summer. Shame, shame.
Obviously, I'm not gonna miss this out when it hits the theaters.
I noticed this when I was trying to make my bro's demo reel DVD. His animation and music couldn't loop back to back, unfortunately, so it would stop and start again. I guess it's a relic from linear format where it was impossible to have a video/music looping to the infinity.
Wow, with this little thing, I will be updating more frequently, and vent out, etc. It's till very early version, without support for Title, so I still gotta login and update, but it's still cool. I wish it had the option to draft, before publishig it world wide web.
However, I gotta work to do! Gosh!
I just wanted to shout out that AMAZING turning point of my so-called film/video career. Sure, I would still have to go out & search for new gig after this is over, but I'm pretty confident that next one will be just around the corner, using current as a stepping stone.
For 2006, my New Year resolutions are, to be diligent in my goals of making my first short movie, finish up my presentable trio of feature scripts, and work on MORE exciting projects and meet creative people through out the year. Woof! Woof! ('Tis year of Canine)
How about that MacBook Pro? Have you noticed anything different, besides new power plug and iSight camera? Where is FireWire 800? It made a small ripple in the Apple community when Apple quietly dropped FireWire connection in latest generation of iPods, and it's FireWire 800 turn to pull disappearing act on brand new laptops? Now that Apple is in bed with Intel, they're pushing USB 2.0? I should be thankful that they still kept ONE port of FireWire 400. Sigh.
More significant news is that Apple is migrating completely to Intel platform within this year. I was planning to purchase Apple desktop after the announcement, and it looks like I made a wise decision to holding off purchasing that G5. If G5s become cheap enough, maybe I will pick one up instead of buying newer, more expensive Apple/Intel desktop that will be introduced later this year. Besides, Jobs was tooting $49 for "cross-grade" for the Pro apps to run on Intel platform, I would just save that money as well until next version of Final Cut Pro suite comes along. That means I will be holding off new Apple/Intel platform until next year or more. It's financially prudent and technically sound as BIG MIGRATION 1.0 is fraught with bugs. Just look back on Mac OS X migration few years back. Apple is excellent technical company, but like everything in life, good things take time to mature.
Lastly, I missed out quick run on Apple stock this morning. I could've bought at low 70s early this week, and sold it over 80s making 10% on quick turnaround, but I got greedy and sat out for something more lucrative opportunity. Only time will tell.
UPDATE: You can load Windows to new MacBook Pro. I guess that could be a compelling feature...
Second, theater chains are in the movie exhibition business. Here they are partners with the studios. Although every deal is different, the theaters and the studios generally wind up splitting the take from the box office roughly 50-50. But, unlike the popcorn bonanza, the theaters' expenses eat up a large part of their exhibition share.
Third, the theaters are in the advertising business. They sell on-screen ads. And some advertisers are paying more than $50,000 per screen annually, especially to theaters willing to pump up the volume to near ear-shattering level so that seated customers will pay attention. Since there are virtually no costs involved in showing ads, the proceeds go directly to the theater chains' bottom lines.
To keep their people-moving enterprise going, theater owners prefer movies whose length does not exceed 128 minutes. If a movie runs longer than that, and the theater owners do not want to sacrifice their on-screen advertising time, they will reduce the number of their evening audience "turns" or showings from three to two, which means that 33 percent fewer people pass their popcorn stands... Indeed, the ultimate test for the popcorn economy is: Will a movie attract enough consumers of buckets of popcorn and soda to justify turning over multiple screens to it? Theater owners know that the popcorn audience is mainly teens. And, since the observation of teen test audiences over many years has demonstrated that they prefer action to dialogue, expect a salty, supersize portion of amusement-park movies this year." It's a lousy business, but somebody gotta do it.
Short, funny videos like "Lazy Sunday" happen to translate online, but not everything works as well. Bite-size films are more practical than longer ones; comedy plays better than drama. But almost everything is worth trying, since the tools to create and post video are now so cheap, and ad hoc audiences can form around any sensibility, however eccentric.
It has also allowed Sanjay Shah, 28, and his friends to find an audience unserved by traditional TV. For the last few years, their weekly South Asian-themed animations—like an Indian spoof of "The Simpsons" 's opening theme—have drawn millions of visitors to his site, Badmash.org. "I look at the Internet right now as the incubator, the RD department for traditional channels," Shah says. Their success has led to consulting work for MTV, New Line Cinema and Sony.
All this rich opportunity for young creators poses a formidable challenge to established Hollywood players. If watching video on the Internet becomes as easy and visually satisfying as watching television, consumers won't need traditional distribution networks like cable and satellite. That possibility is forcing the networks to think differently. ABC's and NBC's three-month-old relationships with Apple, to put shows like "Lost" and "The Office" on iTunes, were a start. According to "SNL" 's Michaels, NBC will soon put new and classic "Saturday Night Live" clips for sale on iTunes. "The one thing the Internet suffers from is that there's very little editorial control over quality," Michaels says.
As "Lazy Sunday" showed, there's certainly an audience. But "SNL" will be competing with an almost limitless universe of user-generated creativity, uploaded by young filmmakers with little respect for old notions about what's possible. On the Internet, no one knows or cares if you're ready for prime time." Just. Do. It.