My Life to Live

Friday, January 27, 2006

Mining 'Brokeback Mountain'

WSJ: Mining 'Brokeback Mountain'. "To try to beat the odds against a gay-themed film succeeding, Focus chose an unusual strategy when it came to placing "Brokeback" in its first theaters in New York and Los Angeles, says Jack Foley, president of distribution at Focus. Like microclimates in Napa Valley that can produce dramatically different wines, neighborhoods in Manhattan can draw entirely different audiences: Chelsea attracts gay viewers, the Village students, the Lincoln Center-area affluent boomers. Word of mouth from a Manhattan opening can determine with what audience a film succeeds or fails."

That's how Miramax ruled the 90's, and Focus seems to inherit that similar Midas touch, without overt marketing/personality push.

Priest left the building...


Priest
Originally uploaded by beatmania.

"Scripted by Cory Goodman, the film is based on Tokyopop's graphic novel created by Min-Woo Hyung. The story is a vampire Western that concerns a warrior priest who disobeys church law by teaming with a young sheriff and a priestess to track down a band of renegade vampires who have kidnapped his niece.

Priest was the first project announced under Raimi and Donen's recently created Sony-based shingle, which is separate from Raimi's other production entity, Ghost House Pictures." - from Variety

Shit. I was eyeing to get to do this graphic novel ever since the 1st book came out in Korea! If you haven't seen this great "comic book" get your behind to the nearest Barnes & Noble. It looks like they changed the story around since it's premise is different from the comic book. I can't wait to see this on big screen, albeit it won't be mine. Sigh.

I wonder how many of my favorite graphic novels are left for me when I make it? I can't compete with Mr. Cameron for Battle Angel Alita, however, the loss of Priest is especially hard since I've been growing up & attached to the story and characters for last couple of years.

Hollywood Makes Stuff Up?

Foxtrot Jan. 27, 2006. Good ol' Fox.

Back Up Your Fuck Up

I took my Lacie 250 Gig & Fanthom Drive 250 Gig to show work in progress at a client's office. (I didn't have time to render it out and burn to DVD, so I upgraded to fast G5 today, but that's another post.)

I got there and plugged my drives in but nothing happened. What? My producer is looking over my shoulder and I had sinking feeling running through my vein. Lacie drive was blinking but it wasn't recongnized by the computer. I plugged in and out to no avail. But suddenly, I smelt silicon burning. Handling computer nearly all my life, I knew what it meant. The drive was fried. Oh shit.

It turns out that those two drives use SAME plug, but Fanthom adapter uses a little higher amp, that totally fried Lacie drive. When I took it to Tekserve for repair, their technician declared it totally dead, RIP. My only option was to give up the drive for 7 days for the data recovery in the price range of $1300. Fortunately my FCP project file was backed up on my laptop, and I lost minimal amount of original footage that was quickly recaptured that day because I kept Lacie drive relatively empty to transfer files between my other drives and my producer's drives. Regardless, the damage was done. When I assessed the final damage, I found out that I lost two days of work, $200 drive which was promptly replaced with a 800 gig G-Raid drive.

Live and learn. I will implement vigorous weekly backup plan from now on, if not daily. Always have two projects going in separate drives. Redundancy pays, in profesional environment & save lives.

Wednesday, January 25, 2006

How To Turn 10 Million Into 7 Billion: A Brief History Of Pixar

Apple Matters: Pixar may have been his hobby but Steve’s passion is selling hardware, and that’s what he intended to do with Pixar. The most exciting chapter of Pixar & Disney is yet to begin. Now that he's in board of Disney, he may well prepare to sell more softwares-movies & songs, than hardwares-iPods & MacBooks. But late at his age, it will hard to change.

Tuesday, January 24, 2006

INTERNET IS FOR PR0N!

Yes, tis' true. (Here's to the future of entertainment!)

Sundance Online

Cnet: Sundance online poses quandary for filmmakers. "For example, the family of the deceased Scott Gerow, who made a short film chronicling his own battle with brain cancer, decided not to put his film online in case they want to submit it to the Academy of Motion Arts and Sciences. (Those in the business here said the Academy doesn't accept movies that have been published online.)

On the other hand, Tom Putnam, who last year put his film, "Broadcast 23," on Sundance Online, said he went against the advice of most people who suggested waiting until the film had gone through the festival run. Based in part on the enthusiasm of festival staff, he decided it was worth possibly excluding other festivals to be a part of Sundance. "It allows us to open up the film to a much wider audience than the folks who are lucky enough to be able to travel to Park City and buy a ticket to see it," Putnam said." I think in near future, online content providers, like Google/Amazon/Yahoo, will host online film/video competition to drive the traffic and raise brand-awareness. I know I would. Nothing will beat physical interaction, but I will settle for virtual interactions if I can't make it.

Monday, January 23, 2006

Google Surfing

You know what's latest in my household, with 20 something Asian young men? Surfing Google Video. This is equivalent of channel surfing for 21st century. You don't even have to search for anything. Just click popular/funny/whatever, and you get a hit. Think of the potential. Google doesn't push much ads on it yet, but what if there's video ads before a clip? Like what other online video companies do these days. They could also push more relevant text here and there. Even graphic ads to accompany visual, video materials. You think their text ads were hot? Their graphic ad delivery mechanism is going to be far bigger.

Content creators will be hard pressed to fight all these free content floating in the web and ask people to pay for their hardworked creation. (I don't think we will see as many of Hollywood moguls as today as time goes on.) I always say the money is in the infrastructure, and Google is poised to become 21st century medium delivery model/infrastructure. Their $400/share price doesn't seem so expensive now...

On related note, is Flash is gonna be the video format for the web? If so, Adobe sure got Macromedia for a bargain.

Friday, January 20, 2006

Dashing Eyes

The Eye is Quicker : Film Editing: Making A Good Film Better by Richard D. Pepperman is undeniblely good textbook for an aspiring editor, but frustrating read for someone new to the field, lacking editing experience. I kept wishing there was an accompanying DVD that can showcase his reference scenes and cuts. I can picture only a few of his examples that he referenced films I was fortunate enough to have seen and experienced. Many of his examples are left to reader's imagination, which quiet frankly, hard to do when 'time/beat' dimension can't be referenced from the book's illustrations. (The comic books do better job of presenting the flow of the story, but that's for another discussion.)

I think only experienced editors will find the book rewarding as they can relate to the editing techniques and problems shown in the book, even if they haven't necessarily seen the films in questions. It is difficult, in my experience, without knowing where the crucial moment is coming without the feeling the flow, but that could be just me.

In short, it was fine read, and I will be keeping the book and reference back later when I encounter an editing problem and needs fresh approach. I'm hoping the book will prove itself in that moment, than to me right now.

Thursday, January 19, 2006

Young Filmmakers Go West

Tech plays supporting role at Sundance festival.

Tuesday, January 17, 2006

How they select a reality TV contestant

The Morning News: The Omarosa Experiment. "The producers are looking for that authenticity because they believe it’s impossible to fake who you are on camera during the course of a shoot, and they want to know exactly what they’re getting before they let you on their show.

While reality TV may not be Shakespeare, it’s at its best when viewers are drawn in by the contestants’ personalities and become invested in what will happen to them.

If reality television is a kind of social psychology experiment conducted for our entertainment, then as the stakes grow and shows continue to push the envelope, greater risks will be taken and contestants will be put into more emotionally combustible or physically challenging situations. Zimbardo’s experiment taught us how something like Abu Ghraib could happen today." I must admit, if it's done correctly, reality TV shows are undenibable entertainment for the mass. The immersion factor is too high to make or measure up for many scripted shows-because we all became media savvy to know that it's a freakin' show. Like Nascar, maybe we are awaiting for social/mental wrecks on these shows so that we can take delight in the fact that we aren't them yet we were somehow involved and a witness to the process.

Have you read a script recently?

The Internet Movie Script DataBase. I don't know why it took this long. Surely, this is not another sign of respect and attention writers get in Hollywood? (Not that there wasn't good script pages around the net...)

I need to start writing. You can tell from my blog entries that my writing has gone new low, with lack of creative word exercise.

Monday, January 16, 2006

Ultraviolet (Trailer)

Kurt Wimmer, writer/director of cult fav, Equilibrium, is back with vegenance!

First trailer looks good on QuickTime. If Aeon Flux trailer looked this good, it would've drawn me into a theater and it wouldn't have bombed horriblely like it did last summer. Shame, shame.

Obviously, I'm not gonna miss this out when it hits the theaters.

Better DVD Menu Music

"Indeed, the looping glitch is indeed a format limitation. In order to create a seamless loop, the player would need to read ahead and do some fancy splicing behind the scenes. Nazarian believes the problem will might still exist in the next-generation HD-DVD and Blu-Ray formats."

I noticed this when I was trying to make my bro's demo reel DVD. His animation and music couldn't loop back to back, unfortunately, so it would stop and start again. I guess it's a relic from linear format where it was impossible to have a video/music looping to the infinity.

Saturday, January 14, 2006

Dashblog

Cool little widget for your blogs. For Mac users only.

Wow, with this little thing, I will be updating more frequently, and vent out, etc. It's till very early version, without support for Title, so I still gotta login and update, but it's still cool. I wish it had the option to draft, before publishig it world wide web.

However, I gotta work to do! Gosh!

Wednesday, January 11, 2006

2006!

Wow, it's been already more than 10 days since the beginning of new calendar year and I 'm hard working on exciting project, making good money, and I actually had to turn down a job this morning! (My bro turned down FOUR jobs this morning, but who's counting? The economy outlook is improving already!)

I just wanted to shout out that AMAZING turning point of my so-called film/video career. Sure, I would still have to go out & search for new gig after this is over, but I'm pretty confident that next one will be just around the corner, using current as a stepping stone.

For 2006, my New Year resolutions are, to be diligent in my goals of making my first short movie, finish up my presentable trio of feature scripts, and work on MORE exciting projects and meet creative people through out the year. Woof! Woof! ('Tis year of Canine)

Where to, Apple?

Since my bread and butter are FCP and DVD Studio Pro and etc, (no, this poor sour is still deprive of sweet, sweet iPod love.) MacExpo holds special meaning. Even on purely entertainment level, Jobs' presentation rivals none. I still gets goosebumps when he pulled iPod nano last year on his special presentation. I just finished the presentation, and I'm somewhat underwhelming. Now that dust has settled, what's new?

How about that MacBook Pro? Have you noticed anything different, besides new power plug and iSight camera? Where is FireWire 800? It made a small ripple in the Apple community when Apple quietly dropped FireWire connection in latest generation of iPods, and it's FireWire 800 turn to pull disappearing act on brand new laptops? Now that Apple is in bed with Intel, they're pushing USB 2.0? I should be thankful that they still kept ONE port of FireWire 400. Sigh.

More significant news is that Apple is migrating completely to Intel platform within this year. I was planning to purchase Apple desktop after the announcement, and it looks like I made a wise decision to holding off purchasing that G5. If G5s become cheap enough, maybe I will pick one up instead of buying newer, more expensive Apple/Intel desktop that will be introduced later this year. Besides, Jobs was tooting $49 for "cross-grade" for the Pro apps to run on Intel platform, I would just save that money as well until next version of Final Cut Pro suite comes along. That means I will be holding off new Apple/Intel platform until next year or more. It's financially prudent and technically sound as BIG MIGRATION 1.0 is fraught with bugs. Just look back on Mac OS X migration few years back. Apple is excellent technical company, but like everything in life, good things take time to mature.

Lastly, I missed out quick run on Apple stock this morning. I could've bought at low 70s early this week, and sold it over 80s making 10% on quick turnaround, but I got greedy and sat out for something more lucrative opportunity. Only time will tell.

UPDATE: You can load Windows to new MacBook Pro. I guess that could be a compelling feature...

Monday, January 09, 2006

Hollywood's New Zombie

Slate: The last days of Blockbuster. "The other shoe dropped with the emergence of Netflix as a major online competitor for what remained of the rental market. (Blockbuster turned down the opportunity to buy Netflix for a mere $50 million, instead entering a disastrous home-delivery deal with Enron.) Netflix signed up over 3 million subscribers by 2005 by offering DVDs that could be kept as long as renters liked for a monthly fee. To compete, Blockbuster had to do away with its single biggest profit-earner: charging late fees to customers who kept videos past the due date. It also had to invest millions of dollars in a copycat online plan." Yeah, it won't be missed by me, either.

Google Video

It allows you to download in many different formats including iPod Video AND Sony PSP. Amazing. (Yeah, I wish I had bought their stock in $300~.)

Thursday, January 05, 2006

Final Cut Pro 6 is coming (already?)

Think Secret: Final Cut Pro 6! Final Cut Extreme! Apple is moving fast, too fast. I barely had a time to get to know & utilize FCP 5, with all the new books I just got. I definitely need new Mac desktop and I'll have to wait until these come out so that I will be in the league, at least. It's a race to keep up with all the latest and greatest HD stuff...

The Popcorn Palace Economy

Slate: The thirsty moviegoer fuels the business. "First, they are in the fast-food business, selling popcorn, soda, and other snacks.

Second, theater chains are in the movie exhibition business. Here they are partners with the studios. Although every deal is different, the theaters and the studios generally wind up splitting the take from the box office roughly 50-50. But, unlike the popcorn bonanza, the theaters' expenses eat up a large part of their exhibition share.

Third, the theaters are in the advertising business. They sell on-screen ads. And some advertisers are paying more than $50,000 per screen annually, especially to theaters willing to pump up the volume to near ear-shattering level so that seated customers will pay attention. Since there are virtually no costs involved in showing ads, the proceeds go directly to the theater chains' bottom lines.

To keep their people-moving enterprise going, theater owners prefer movies whose length does not exceed 128 minutes. If a movie runs longer than that, and the theater owners do not want to sacrifice their on-screen advertising time, they will reduce the number of their evening audience "turns" or showings from three to two, which means that 33 percent fewer people pass their popcorn stands... Indeed, the ultimate test for the popcorn economy is: Will a movie attract enough consumers of buckets of popcorn and soda to justify turning over multiple screens to it? Theater owners know that the popcorn audience is mainly teens. And, since the observation of teen test audiences over many years has demonstrated that they prefer action to dialogue, expect a salty, supersize portion of amusement-park movies this year." It's a lousy business, but somebody gotta do it.

Tuesday, January 03, 2006

Right to the Top

Newsweek: Young, creative comics are using digital video and the Internet to launch careers—sometimes overnight. "The Net success of "Lazy Sunday" also represents a defining moment for the film and television business. Advances in digital video and broadband have vastly lowered the cost of production and distribution. Filmmakers are now following the path blazed by bloggers and musicians, cheaply creating and uploading their work to the Web. If it appeals to any of the Net's niches, millions of users will pass along their films through e-mail, downloads or links. It's the dawn of the democratization of the TV and film business—even unknown personalities are being propelled by the enthusiasm of their fans into pop-culture prominence, sometimes without even traditional intermediaries like talent agents or film festivals.

Short, funny videos like "Lazy Sunday" happen to translate online, but not everything works as well. Bite-size films are more practical than longer ones; comedy plays better than drama. But almost everything is worth trying, since the tools to create and post video are now so cheap, and ad hoc audiences can form around any sensibility, however eccentric.

It has also allowed Sanjay Shah, 28, and his friends to find an audience unserved by traditional TV. For the last few years, their weekly South Asian-themed animations—like an Indian spoof of "The Simpsons" 's opening theme—have drawn millions of visitors to his site, Badmash.org. "I look at the Internet right now as the incubator, the RD department for traditional channels," Shah says. Their success has led to consulting work for MTV, New Line Cinema and Sony.

All this rich opportunity for young creators poses a formidable challenge to established Hollywood players. If watching video on the Internet becomes as easy and visually satisfying as watching television, consumers won't need traditional distribution networks like cable and satellite. That possibility is forcing the networks to think differently. ABC's and NBC's three-month-old relationships with Apple, to put shows like "Lost" and "The Office" on iTunes, were a start. According to "SNL" 's Michaels, NBC will soon put new and classic "Saturday Night Live" clips for sale on iTunes. "The one thing the Internet suffers from is that there's very little editorial control over quality," Michaels says.

As "Lazy Sunday" showed, there's certainly an audience. But "SNL" will be competing with an almost limitless universe of user-generated creativity, uploaded by young filmmakers with little respect for old notions about what's possible. On the Internet, no one knows or cares if you're ready for prime time." Just. Do. It.