My Life to Live

Wednesday, December 11, 2002

BW Online: Hollywood's Digital Love/Hate Story. "Digital video is the great democratizer for the notoriously elitist film industry. A high-quality digital-video camera costs $3,000 to $4,000, vs. $500,000 or so for a traditional 35mm film camera. Digital tapes are cheap and hold as much as 40 minutes, while film reels are expensive and last 11 minutes, requiring frequent stops and starts on the set. Best of all, since everything captured is digital, directors can edit images, sound, and special effects on a personal computer. That helps explain the 62% rise in short-film entrants for this year's Sundance festival... The problem is that digital production is way ahead of its cousin, digital projection. Though entertainment execs intellectually understand that digital projection will ultimately save money -- eliminating, among other things, the $2,000 it costs to make and ship a print of a film to each movie theater -- Hollywood studios and theater owners are locked in a battle over who should pay for digital projectors, which can cost more than $100,000. The result is the technology has been slow to take hold. " Take heed.

Tuesday, December 03, 2002

Wired 10.12: The Netflix Effect. "Starbucks is a great example. Howard Schultz talks about building the brand one cup at a time. I'd love to be Howard Schultz. As Starbucks is for coffee, Netflix is for movies... The professor said, 'Never underestimate the bandwidth of a station wagon filled with backup tapes,'" Hastings remembers. Moving small bits of data at light speed can be far less efficient — and more expensive — than moving that information in bulk." He may well be onto something.

Monday, December 02, 2002

LATimes: Rewriting the Script. "All of the scenes in "The Polar Express" will be shot with digital cameras in front of a blank screen, with sets to be filled in later by computers. The actors will be covered in motion-capture sensors so that each move of an arm, each flicker of an eyelid and each wrinkle of a lip will be stored on a computer and used as guide for the digital animators who will create the actual movie footage."